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Telugu 2015 rudhramadevi11/8/2022 ![]() Young Chalukya Veerabhadra talking to young Rudradeva about the erotic beauty of a sculpture, unbeknownst that she is a girl is another such moment. Anushka marrying Nithya Menon is most likely to take the cake it has such appeal for all. The film tells the story of Rudrama Devi's early life, the dangers faced by the Kakatiya dynasty, the situations arising out of Rudrama Devi's gender secret. The treatment of such a scene begins with getting the cinematography right. After great CG assault, she tames the elephant, setting the stage for an invariable comparison with that massive animal from 'Bahubali' and you can't help yourself the experience of watching that animal being tamed by Rana in stages. ![]() At once, young Rudrama Devi turs into Anushka, who in turn metamorphoses into a lioness as imagined by Ganapathi Devudu (Krishnam Raju), her proud father. One too many characters make an entry Krishnam Raju, Prakash Raj, Suman, Krishna Bhagawan and young Rudrama Devi (played by Ulka Gupta of 'Andhra Pori' fame), together with many more names of persons and places to remember. However, the problem may not be with the creative liberties it is mostly with inconsistencies in the creativity. On the flip side, Gona Ganna Reddy has better lines, spoken in authentic Telangana 'yasa', whereas Rudrama Devi is innocent of a mind-blowing line worth a mention.Ī historical, the writer-director-producer seeks at the outset the offended audience's pardon for taking creative liberties. Allu Arjun bursts on the scene in quirky style he, with his aggressive attitude and playful recklessness, matches the intensity of fiery Anushka, nevertheless. The screenplay is tightly written at times, so much so even Anushka's two variations are striking without as much as a change in the mood of the proceedings. But the accomplishment lies in its occasionally good writing, whereas the uneven execution is unsettling at best. ![]() Gunashekar's dream project is not without its spectacular moments. Megastar Chiranjeevi's voice-over is a welcome change, it elevates the tempo for a while, afterwards we struggle to register it. If there is a scene where Rudramadevi, a strong-minded woman posing as a male, under the spell of a sudden burst of feminine self-consciousness, breaks into a gracious dance along with some other sprightly women in festive mood, there is a battle scene where some four characters on the losing side talk to each other like undramatic characters of a street play (well, they even seem to be watching the fate of their onscreen clones in a war, now separated by many years). ![]() 'Rudramadevi' has both bright and insipid elements going for it. ![]()
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